Post-Emancipation Era Caribbean Colonial Plantation Labor and Economy Export Stereoview Archive, Martinique, Dominican Republic, Cuba

Caribbean and Cuba Labor Caribbean Cuba

Photograph

Stereoview archive of the post-emancipation Caribbean, showing how the islands were marketed to western viewers through plantation labor, export agriculture, civic spectacle, and catastrophe. As a group, these photos function not only as an ethnographic travel archive, but as evidence of the visual economy that followed slavery. The British West Indies moved through emancipation in 1834 to 1838, the French Caribbean in 1848, Puerto Rico in 1873, and Cuba in 1886, yet plantation production remained central to regional life well into the early twentieth century. These stereoviews preserve a colonial way of seeing in which Black and Afro-Caribbean labor, rural discipline, and extractive agriculture remained the background condition of “tropical” beauty and commercial modernity. Cuba’s sugar economy in particular expanded through the nineteenth century and slavery was not abolished there until 1886, while Weyler’s later reconcentration policy during the Cuban War of Independence violently reorganized rural life. Martinique after 1848 likewise shifted into new labor regimes, including imported workers from India and China.

Archive of 11 stereoview cards, late 1890s to early 1900s, depicting Cuba, Jamaica, Martinique, Puerto Rico, and the Dominican Republic. Most black and white with a few colorized. Each measure 3.5" x 7". All with captions on the margins. “Reconcentrado Farming Scene, Province of Havana, Cuba” links agricultural production to the brutal displacements of Spain’s reconcentration campaign; “Cutting sugar cane, Montego Bay, Jamaica, W.I.” records cane labor in a colony where emancipation had not ended plantation dependency; and “Harvesting Coconuts, Porto Rico” likewise frames Caribbean land through export work rather than local life. Other views extend that economic framing through cacao and coffee scenes, while the paired Havana cards shift into urban leisure and public display, including “Beautiful Central Park, Havana, Cuba” and “Holiday in Havana, Cuba,” the latter with both Cuban and American flags visible, a telling image of the new imperial order after 1898. The disaster views from Martinique and the Lesser Antilles show how stereoview publishers also turned Caribbean destruction into consumable spectacle. the Morne Rouge card is accompanied on the reverse by the grim printed text, “Dead bodies which were to be seen in Morne Rouge…”, while the wider context is the 1902 eruptions of Mount Pelée in Martinique and La Soufrière on Saint Vincent, two catastrophes that killed roughly 30,000 and 1,600 people respectively and devastated local communities and agriculture.

Some corner wear, light toning, scattered surface and edge wear. Overall very good condition. This collection gives direct visual representation of Caribbean history, Atlantic slavery and emancipation, plantation labor, and U.S. imperial expansion in the circum-Caribbean, preserving the transition from slavery to post-abolition labor.

Item #23171

Price: $550.00