Spanish-American War Stereoviews Archive Documenting Rough Riders,Cuba, Manila, and the Emergence of U.S. Overseas Empire , 1898
Photograph
Spanish-American War stereoview archive, circa 1898-1899, documenting how the war was pictured through mass-produced photographic views that followed U.S. mobilization, battlefield action, occupation, and military life across both Cuba and the Philippines. These stereoviews preserves the visual system by which the war was circulated to American audiences, showcasing camp organization, troop movement, burial, hospital care, naval power, and overseas deployment. Particularly notable is the archive’s coverage of the Rough Riders, the Santiago campaign in Cuba, and U.S. presence in Manila and Malate, showing how stereoview photography helped normalize the war’s expansion from anti-Spanish conflict into a broader American imperial presence.Archive of 21 stereoviews, Various publishers. Spanish-American War stereoview archive. Cuba, the Philippines, and the United States, circa 1898-1899. each measuring 3" x 7". The views are drawn from multiple phases and theaters of the war, including camp and drill scenes in the United States, embarkation and troop arrivals at Tampa, battlefield and occupation imagery from Cuba, and extensive and some grisly scenes from Manila and surrounding areas in the Philippines. Captions and images show soldiers in formation, cavalry drill, military reviews, naval artillery, hospital interiors, encampments, burial grounds, and troops in active position. Cuban views include Morro Castle after bombardment, dead and wounded on the battlefield of Santiago, U.S. soldiers preparing to invade Cuba, and troops dining near Cabañas Fortress. Philippine views include a departure for Manila, American pickets routing a Filipino reconnoitering party, the 18th Infantry engaged by Filipino outposts, volunteers awaiting orders under the tropical sun, Army Hospital, Manila, and “Our Boys in Camp at Malate, P.I.” One stereoview identifies Roosevelt’s Rough Riders in the mobilization phase, linking the archive to one of the war’s most publicly mythologized units.
As a group, the stereoviews demonstrate the process by which the Spanish-American War was framed not simply as a short military victory over Spain but as a sustained structure of U.S. troop deployment and occupation extending from Cuba into the Philippines. The Manila and Malate scenes are especially important in this regard, since they place American soldiers within the opening phase of the Philippine conflict, where U.S. military presence quickly moved beyond liberation rhetoric into imperial control. The archive’s mixture of battlefield casualties, camp routine, naval spectacle, and celebratory review scenes shows how stereoscopic publishing converted war into a domestic viewing experience while reinforcing the legitimacy of American expansion abroad. Wear to mounts, some toning; overall very good condition. A strong cross-theater visual archive of the Spanish-American War and the emergence of U.S. imperial power in Cuba and the Philippines.
Item #23130
Price: $1,750.00
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